From Y1-Y6 we follow the Embark writing sequence:
More generally, we draw all our writing from the whole class text. We let the text guide us in terms of genre bearing in mind that many genres can be drawn from one text e.g. a diary extract, newspaper report, non-chronological report, instructions.
Children are taught how to write well by looking carefully at good examples (WAGOLLS) and considering how the author has phrased things and chosen words to create specific effects. The teacher will often demonstrate the writing process through shared writing, making her thoughts explicit throughout. Pupils are further scaffolded through working walls, spelling lists, dictionaries and thesauri. They are sometimes individually guided by the teacher and also have time to work with a writing partner to edit and improve their work.
Text types across the year groups
Year 3 Writing Units | ||||||||||
Autumn 1 | Autumn 2 | Spring 1 | Spring 2 | Summer 1 & 2 | ||||||
The Diary of a Killer Cat
Anne Fine
|
The Hundred Mile an Hours Dog
Jeremy Strong |
The Tear Thief
Carol Ann Duffy |
The Witch’s Tears
Jenny Nimmo |
The Twits
Roald Dahl | ||||||
Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Poetry |
Describing Setting
Describing characters ‘Introduction to a naughty pet story’
|
Letter
‘Letter from the vet’ |
Dialogue
‘Trevor’s Bright Idea’ |
Recount
‘Streaker’s story’ |
Describing characters
‘Tear Thief wanted’ |
Diary
‘TBC’ |
Part of a short story
‘Theo meets Mrs Scarum’
|
Non-chronological report
‘A guide to spotting witches’ |
Short story: plot structures
TBC |
Instructions
‘Making a meal for Mr Twit’ |
Shape poetry
‘Mr Twit’s beard’ |
Year 4 Writing Units | ||||||||||
Autumn 1 | Autumn 2 | Spring 1 | Spring 2 | Summer 1& 2 | ||||||
Hodgeheg Dick King Smith
|
The Iron Man |
Krindlekrax
Philip Ridley
|
The Witches
Roald Dahl |
Coming Home & There’s no such place as far away
Michael Morpurgo & Richard Bach | ||||||
Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Poetry |
Short story: plot structures ‘Max’s next adventure’
|
Non-chronological report ‘All about hedgehogs’ |
Part of a short story
‘How Iron Man came to be’ |
Letter to persuade
‘Letter to the council’ |
Describing settings
‘Down in the sewers’ |
Diary
‘Elvis’ private diary’ |
Describing characters
‘How to recognise a witch’ |
Instructions
‘Recipe for Formula 86 delayed mouse maker’ |
Using dialogue (with examples from There’s no such place.. to move the story forward) |
Recount
‘The journey home’ |
Landscapes
‘Figurative language’ |
Year 5 Writing Units | ||||||||||
Autumn 1 | Autumn 2 | Spring 1 | Spring 2 | Summer 1& 2 | ||||||
Kensuke’s Kingdom Michael Morpurgo
|
Holes Louis Sacher |
Butterfly Lion Michael Morpurgo
|
The Phantom Tollbooth Norton Juster |
Charlotte’s Web
EB White | ||||||
Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Poetry |
Story opening: Action
‘What happens next?’
|
Instructions
‘An instructional survival guide’ |
Settings to create atmosphere
‘A police interview’ |
Letter to recount
‘Letter home from Stanley’ |
Weaving dialogue
TBC
|
A balanced argument –to discuss
‘Should wild animals be kept in captivity’ |
Characterisation
TBC |
Biography
‘On a fictitious character within the story’ TBC |
Short story
‘Fight for life’ |
Speech
‘Charlotte’s speech to save Wilbur’
|
Acrostic poem
‘Choosing an atmosphere’ |
Year 6 Writing Units | ||||||||||
Autumn 1 | Autumn 2 | Spring 1 | Spring 2 | Summer 1& 2 | ||||||
Shadow
Michael Morpurgo
|
Wonder
RJ Palacio
|
War Horse
Michael Morpurgo |
Video footage (from Literacy Shed)
Bibo Ruin Documentary of Marcus Rashford
|
When the sky falls
Phil Earle
| ||||||
Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Fiction | Non-Fiction | Poetry |
Characterisation
A child refugee’s story
|
Balanced argument
‘Should refugees be welcome in Britain’ |
Short story
TBC |
Letter to persuade |
Settings to create atmosphere
‘The horror of battle’ |
Letter to recount
‘From Trooper Warren to his mother’ |
Story opening: flashback
|
Biography of Marcus Rashford |
Weaving dialogue
TBC |
Speech
Saving the zoo
Diary
‘School days’ TBC |
Feelings/ emotions linked to trauma/ his relationship with the gorilla |
Spellings:
In KS1, spellings are taught as ‘encoding’ through the daily phonics programme. High frequency (common exception) words are taught using single letter names, syllables and segments using look, cover, write, check.
For later Y3-Y6 we are trialling a new phonics based approach to teaching spelling this year. It is taught every day for approx. 20 minutes.
English - Handwriting:
Children in EYFS will:
• practise a correct pencil grip
• be taught the correct start and exit points for each letter, which should not include ‘lead-in’ strokes from the line
Children in Year 1 and Year 2 will:
Children in Year 3 and Year 4 will:
Children in Year 5 and Year 6 will:
Sequence of cursive handwriting / joins
Letter families should be taught, as grouped below, which follow a similar pattern. All letters start on the line – see below for clarification on individual letter formations in the continuous cursive style.
Ladder letters:
l, i, j, t, u, y
Curly letters:
c, a, o, q, d, g, s, e, f
One-armed robots:
r, m, n, h, b, k, p
Zig-zag letters:
v, w, x, z